The Art Piece 2 Edition 2 pushes back the boundaries of creativity even further. In this first Art Piece realized without an optical system (and therefore without a microsculpture or nanoengraving), the Double Tourbillon 30° appears to be a moving sculpture. Here, the indication of time is secondary: a push-piece that controls a bistable mechanism needs to be activated in order to obtain an indication of the hours and minutes. The power reserve takes precedence over all other information with the aim of altering our relationship with temporality: it is not the current time that we contemplate, but the time remaining. This subtle metaphysical shift is naturally reminiscent of memento mori.